Champian Fulton

Jazz Pianist and Vocalist

Champian to Perform for the FIRST TIME in both Brattleboro Vermont & Wilmington North Carolina in January

The Vermont Jazz Center presents pianist/vocalist Champian Fulton on Saturday, Jan. 18, at 8 p.m.

The Commons writes “She conveys the essence of swing effortlessly and authentically; her performances give listeners a fresh appreciation of the creative possibilities inherent in an older style. In Fulton’s hands, swing is a vibrant, living music that resonates with meaning and joyous playfulness.” Read the full (very informative) article here -> http://www.commonsnews.org/site/sitenext/story.php?articleno=31650

Tickets and Info available here —> https://vtjazz.org/calendar/champian-fulton-quartet/


Wilmington NC will get a chance to hear Champian at the fortieth annual North Carolina Jazz Festival, January 24 - 25. Read about the event and Champian in Wilma Magazine —> https://www.wilmamag.com/jazz-with-fulton/

She will be the first female jazz pianist to play at the festival!

Tickets and info available here —> https://ncjazzfestival.org/

Jazz Pianist and Vocalist Champian Fulton Champions the Songs of Billie Holiday (Ken Herman, San Diego Story)

The San Diego Symphony in collaboration with San Diego jazz station 88.3 FM presented this program on November 30, 2019, in the Jacobs Music Center’s Copley Symphony Hall.

Master jazz pianist and vocalist Champian Fulton ruled the Copley Symphony Hall stage Saturday in her sizzling program Lady Day: A Tribute to Billie Holiday. Ably assisted by three instrumentalists selected by Jazz at the Jacobs Concert Series Curator Gilbert Castellanos, Fulton’s quartet gave highly charged interpretations of many of the songs Holiday championed.

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Fulton’s approach to this tribute program saluted a number of songs Holiday recorded and made popular, especially in the 1930s, the early years of Lady Day’s career. Fulton included only one of Holdiay’s own songs, her “Fine and Mellow,” recorded on the Commodore label in 1939. Fulton did not—wisely, perhaps—sing any of the iconic Billie Holiday songs, her own compositions “God Bless the Child” and “Don’t Explain,” or “Strange Fruit,” a signature song she did not write but did make its first widely circulated recording.

With Fulton’s opening salvo, a very upbeat, rhythmically propulsive account of Rube Blume’s 1939 “Day In, Day Out,” she defined her musical strategy. Although the tunes may be vintage, Fulton’s assertive piano technique and breathless contemporary style brought everything up to date. In “Me, Myself, and I,” a song Holiday recorded in 1937, Fulton toyed with Irving Gordon’s tongue-in-cheek lyrics, but they faded into the background, easily displaced by Fulton’s blazing piano elaborations and the seductive effusions of Ralph Moore on tenor saxophone. Ditto for their performance of Jimmy Van Heusen and Johnny Mercer’s evergreen “I Thought About You,” also from 1939.

Beginning Marks and Simon’s “All of Me” (1931) as an airy duet for voice and the syncopated filigree of young bassist Alex Frank proved pure magic, especially when the subtle brushwork of percussionist Kevin Kanner crept in and then disappeared while Fulton and Frank brought the song to its deft final cadence. Fulton proved equally successful navigating the sophisticated phrasing of Irving Berlin’s 1935 “Isn’t This a Lovely Day (to Be Caught in the Rain?”), a sweet if lesser-known song that Holiday recorded much later in her career.

Several songs benefited from the full quartet’s rousing athletic ensemble, notably “Pennies from Heaven” (1936), Cole Porter’s “Just One of Those Things” (1935—and, yes, Holiday recorded this song in 1935), and “Travelin’ Light,” a song by Young and Mundy with Johnny Mercer’s lyrics. Trumpeter Gilbert Castellanos joined the quartet in this 1942 tune that brought a very full program to its close.

Rave Reviews for Champian's new record "Dream a Little..."!!!!

“[Dream a Little] practically pants with unvarnished vitality….Fulton has set a high bar for herself since her 2007 debut Champian. In recent years she’s released a series of strong albums, each exposing a different aspect of her music. Dream a Little… might be her most pleasingly inviting. From the concise opening title track, she and Weeds establish the house rules with a conversational intimacy that bespeaks trust earned over many years and many gigs. It’s a loose session rife with quicksilver interplay. Fulton isn’t a subtle singer; she’s got an edge of brass in her voice that makes ballads, like a convincing version of “Darn That Dream,” more fulsome laments than whispered confessions. Weeds listens closely and responds in kind, often using his airy lower register as a tonal counterpoint when Fulton’s voice ascends. The album is also a showcase for her pianistic facility. She plays with such swinging joie de vivre on “Once I Had a Secret Love” that it’s easy to forget it’s not an instrumental track.” - Andrew Gilbert, JazzTimes


“Champian’s vocals reveal an evolving, idiosyncratic singing style: unpredictable, surprising and incredibly elastic. She can be coy in the manner of Blossom Dearie’s little-girl warbling one minute, and sexily un-demure the next, as on “Darn That Dream,” where sighs signal mood changes from dreamy to sensual. The words of “Pennies from Heaven” billow in her opening chorus, but she toys with them, submerging the notes of under to the lowest range, in the out chorus. The track also is memorable for Champian’s solo, an exuberant foray into stride piano, contrasting with all her other more mainstream modern piano excursions.” - George Kanzler, Hot House Magazine


Dream a Little...
$20.00

"At this point in jazz history, Champian Fulton is the best piano-playing singer and the best pianist who happens to be a singer. With her blend of precision and flair on the keys and her nuanced approach to the mic, she’s been unstoppable lately. Her career validates the old proverb that you get good at what you do: somehow, in between gigs, she manages to find the time to make albums....While this is first and foremost a collection of bittersweet love ballads, it’s also uproariously funny when least expected: Fulton has a subtle and often sly sense of humor, particularly on the keys. As if we need yet more proof that more artists should be making live records, this is it." - NY Music Daily

“Fulton plays superior swing-oriented piano, can sound like Erroll Garner whenever she likes, and is a personal singer who sounds like she would have been very much at home in the 1940s and ‘50s yet does not sound dated.” - Scott Yanow, LA Jazz Scene

“Unconfined by a rhythm section, Fulton sounds freer and more playful than on earlier releases; her playing is bluesier and more muscular, especially in the lower registers.” - Alexander Varty, Straight.com

“…two quality musicians came together to deliver romantic standards. Fulton has a lush, full chords piano style, and a luxurious voice, with crisp clarity of diction. Weeds wove an often complicated saxophone line through the melody. This album is exceptional easy listening to well-known standards—just the thing for a pensive winter evening beside the fire.” Martin McFie, All About Jazz


“Champian Fulton can play piano, she can sing, she can swing, she can be sassy, and can be silky smooth…..One can hear traces of Sarah Vaughan and Betty Carter on the latter track plus dig the Art Taum-esque piano solo on this most delightful ballad... "Dream a Little..." is a lot of fine music in one dynamic duo package. Champian Fulton & Cory Weeds certainly had fun that night (check out the pianist's giddy response to the tenor solos) and you will as well once you surrender to the sweet sounds.” - Richard Kamins, Step Tempest


“the latest release from national treasure Champian Fulton finds her in duet with the excellent saxophonist Cory Weeds–no rhythm section, no nothing except piano, voice, and sax. And because Fulton is equally entrancing as a vocalist and a pianist, and Weeds is a marvelously intuitive and tasteful player himself, every track would count as a highlight on any other artist’s album.” - CDHotList


"Champian Fulton perpétue avec bonheur la tradition des pianistes-chanteuses dont elle est, avec Diana Krall, une représentante distinguée.

Inspiré par Red Garland dans la manière d’utiliser les blocks chords et par Wynton Kelly, son jeu de piano constitue un appui sûr pour un soliste. Portée par un phrasé précis, sa ligne de chant épouse les contours d’une mélodie dont elle tire toute la saveur avec parfois un brin de sophistication." - Couleurs Jazz


“the ten song program will provide you with an hour of hip sounds from two musicians who seem to have a natural affinity. Fulton has become established as a first-rate vocalist, and her piano playing is superlative…” - Joseph Lang, Jersey Jazz!


"Champian has previously shown a willingness to take risks, after six albums highlighting her vocals she released “Speechless”, which consisted of original instrumental piano work in a trio setting. An album any manager would have advised against received rave reviews.

"Dream a Little..." highlights her singing more than any of her previous releases but still leaves ample space for Cory Weeds to explore. Her own piano work is rich and often unaccompanied." - Joe Bebco, Syncopated Times


“[Dream a Little] is music pure where two great artists show how much fun musicians and audience can have playing and listening to these popular songs. If you want to bring this spirit in your living or dining room then order this album and you have Champian Fulton and Cory Weeds playing exclusively for you. Enjoy, you will not regret it!” - Michaels Jazz Blog

Listen to the single on all digital platforms RIGHT NOW: http://hyperurl.co/sla9h2


Champian in Newport Beach a Success!

Pianist/vocalist Champian Fulton hails from New York City, NY. She is a newer artist here at Sunset Jazz at Newport, now in the tenth season of this outdoor series. She is well-known for her jazz work, even though newer to us here in CA. She has a very good following and many fine credits throughout her career. Her trio had a strong rhythm section with Mike Gurrola (bass) and Kevin Kanner (drums). Special guest was Andy Martin on trombone. Good friend, Terence Love (Steamers), suggested to Joe Rothman and John McClure after hearing Ms. Fulton that they should definitely do a booking of her for the series. This concert was very well attended. The outdoor concerts have a special significance and natural ambiance that is enjoyed by all attending.

Wednesday evening, July 31, 2019, Fulton’s group brought an excellent tune, “Day by Day” for an impressive beginning. Her touch on the piano is very definite and accentuated. Trombonist Andy Martin, added greatly with his playing, blending excellently with the trio. Continuing, she sang a sweet number, “I Cried for You,” backing herself on piano and with the trio as well. The rhythm section, Gurrola and Kanner, was tight! This was the first time these two have performed together. Fulton’s voice is illustrious. She expresses the lyric with passion and pizzazz. A moving bass solo by Gurrola played well and got much applause. Kanner’s drumming, with shared 8 bar breaks, also received notable applause.

A favorite of Fulton’s is “Lollypops and Roses.” Her lovely full chords filled this number nicely. Martin’s trombone also made this tune shine.
The trio, only, played another tune of Fulton’s favorite and her composition, “Lullaby for Art,” a medium up-tempo gem that drove forward impressively. She is an interested fan of late-great Art Blakely’s jazz music.
Other tunes for this set were: “Mad About the Boy” and “Traveling Light,” a Dinah Washington staple.

The second set began with “You Turned the Tables on Me.” Fulton shows a definite ‘stride’ effect in her piano playing. It is sturdy and very evident in many tunes she performs. The song,“Baubles, Bangles and Beads,” is a longtime 1953 standard from the musical “Kismet.” Fulton’s voice is wonderful. The melodies are Alexander Borodin’s. Her version was very smooth and a delight for her audience this evening. She continued with “Darn That Dream,” excellent rendition and beautiful trombone work, again, from Andy Martin. Concluding this two set show were: “”Somebody Stole My Gal,” an upbeat creation and a big drum solo by Kevin Kanner. Featuring bassist Mike Gurrola, doing a start of bass lines for “All of Me,” Fulton sang this one, then added her own piano accompaniment, then Kanner (drums) and Martin (T-Bone) moving through this beautiful number. Gurrola’s bass lines were “right in the pocket” for the entire tune. Last two closing tunes were, first, a Eubie Blake number, “I’d Give a Dollar for a Dime.” Martin was showcased with his fine trombone backing along with Fulton’s ‘stride’ piano playing fashioned in this piece. The final number was “It’s All Right with Me,” (Cole Porter), for the trio and guest trombone master, Andy Martin. The Champian Fulton group received a well-deserved standing ovation.
This show was a definite success.

Please visit Fulton’s website: www.champian.net. I am hopeful she will be able to perform again another time at Sunset Jazz at Newport. This was the fourth of eleven concerts for the tenth year anniversary for this marvelous series. Check this website regularly: www.sunsetjazzatnewport.com.

By Glenn A. Mitchell

Study with Champian!

Champian teaching a piano masterclass

Private Lessons with Champian

Study Jazz piano, Jazz singing, improvising, Jazz history etc with Champian in the privacy of your own home via Skype (or FaceTime). ALL instruments and levels welcome. To schedule your lesson, please email Champian (champian.fulton@gmail.com)

Lessons are $125 for one hour and must be paid in advance of scheduled lesson.

Click the purchase button below and then we will find a date and time!

Private Lesson with Champian
$150.00





Champian Shares her Desert Island Picks on KCSM - Listen now!

What music would you wish you had if you were stranded on a desert island? Discover Champian’s picks as she joins Alisa Clancy on KCSM to discuss her favorite music and more in this hour long interview.

The interview opens with music from Champian’s latest release, “The Stylings of Champian” —> check that out here.

Not all these records are readily available on streaming services!! If you need help finding more information about any of the records listed here, write to Champian on facebook / twitter / instagram

Thank you KCSM!!! Support your local Jazz radio station!

To view the “Castaway" page on KCSM please click here

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Champian’s Favorite Music Featured in this Interview:

1) Woody Shaw - “Spiderman Blues” from Setting Standards

2) Red Garland - “Almost Like Being in Love” from Red Garland’s Piano

3) Freddie Hubbard - “the Things We Did Last Summer” from The Hub of Hubbard

4) Dinah Washington - “Show Time” from Compact Jazz Dinah Washington

5) Charlie Parker - “Just Friends” from Bird with Strings

6) Dexter Gordon - “Tangerine” from Tangerine

7) Erroll Garner - “I’ve Got the World On a String” from The Original Misty

8) Sphere - “Quasimodo” from Bird Songs (Sphere: Charles Rouse on tenor, Kenny Barron on piano, Buster Williams on bass and Ben Riley on drums)

Other Recommended Listening from Champian’s Desert Island

Count Basie - “You Can Depend on Me” from the Complete Decca Recordings

Clark Terry - “Angel Eyes” from Clark After Dark

© Champian Fulton